November News: Submissions are closed! Thank you!

NEWS

Submission Calls

Submissions for ‘Japanese Fantasy Drabbles’ are officially closed. I want to say a big thank you to all the contributing authors for submitting such a fantastic selection of drabbles. Otsukaresama desu!

I’ll probably write a post in December about the submission call, for those who are curious about the data and behind-the-scenes work involved in this project.

AS for new anthology calls, I’ll try to make a decision about that before the end of December too. I can say that the next anthology will be for short stories and offer a token payment as we have done in the past. Then perhaps we’ll do another drabble anthology after that…

For the poets, we’re always open for Asian Speculative poems. I’m really hoping to see some submissions from Asian writers for next year–please add us to your submissions list for 2020!

Details on our Instincts poetry series are here

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Site Updates

This past week, I made some changes to this site and some of our social media accounts. There’s a new profile logo, and I’ve changed the site name to Insignia Stories where possible. This is because the new drabble anthology will be the first in its own series, Insignia Drabbles Vol.1, Vol.2, etc. So the main site name will be Insignia Stories, and The Insignia Series will continue to be the series name for the anthologies we’ve done. Hopefully that’s clear!

Here on the site, I re-organized the menus and made a few drop-down listings which should make things easier to find. I’ll be putting up a new ABOUT page and one for the drabble anthology very soon, so that will have all the contributors name on it as well.

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Story Recommendation

I read a quite disturbing (in an awesome way) horror story recently, featuring a Japanese woman as the main character. It was written by Insignia: Southeast Asian Fantasy contributor, Eliza Chan and is published online at Three Crows Magazine.

I highly recommend it!

Link: ‘Knowing Your Type’ by Eliza Chan

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Have a great weekend everyone, and Happy Thanksgiving to our North American writers and readers 🙂

~Kelly Matsuura~

 

 

Excerpt: ‘Spirit of Regret’ by Eliza Chan

The final story in Insignia: Southeast Asian Fantasy is a moving Vietnamese piece by UK based author, Eliza Chan.

INS3-release-promo

‘Spirit of Regret’ by Eliza Chan

I had read the same line thirty times.

No matter how I tried, I could not find meaning in the words. Sighing, I looked up and realised the street lights had been turned on. Not that it made difference, the dim orange illuminated only that within whispering range, the shadow of a rubbish bag left below the lamp-post, or the helmet of a passing motorcyclist shining like a giant sequin in the dusk.

Thanh hadn’t noticed yet. She sat on the wicker chair like it was her sofa at home, her sandals kicked to the ground and her painted toenails wiggling every so often. Was it a good line she had read, or a reflex, I wondered. She looked so relaxed under the patio umbrella. What would she do if I leaned across and touched her? I knew I wouldn’t try. Not with the solid dark wood table between us, the dregs of café sua da between us, the used tissues, discarded knife and scattered crumbs between us. Not with the roar of traffic beside us and the waitress pacing with her jug of ice water, her heels clicking in time to the one noted cry of the cubes. Not with the mother bouncing her baby and the teenagers reading fashion magazines. Not with what she had had done, what we had decided, what had filled the last four hours in the quiet coffee shop despite no words spoken.

“It’s getting late,’ she remarked, folding over the page corner as she lay the comic book down on the table. She had carelessly placed it on a wet coffee ring. It would be ruined now. The brown stain would seep right through the unprotected pages until it had soaked in. Even the front, where those saucer-eyed manga girls smiled through impossible hair, promising easy escapism in moronic romanticism, would be ultimately destroyed.

Vâng,” I agreed, as I had agreed before. Where did these words come from? They were driftwood, carried with the tide against my volition, without my permission.

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Eliza Chan’s Author Page

Insignia: Southeast Asian Fantasy Page

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More Excerpts:

‘Horse Feet’ by Celestine Trinidad

‘The Third Eye’ by Sheenah Freitas

‘Interlude’ by Eve Shi

‘The Island’ by Melvin Yong

‘Running from Shadows’ by Joyce Chng

‘Never Seen’ by Kelly Matsuura

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