Submissions for ‘Japanese Fantasy Drabbles’ are officially closed. I want to say a big thank you to all the contributing authors for submitting such a fantastic selection of drabbles. Otsukaresama desu!
I’ll probably write a post in December about the submission call, for those who are curious about the data and behind-the-scenes work involved in this project.
AS for new anthology calls, I’ll try to make a decision about that before the end of December too. I can say that the next anthology will be for short stories and offer a token payment as we have done in the past. Then perhaps we’ll do another drabble anthology after that…
For the poets, we’re always open for Asian Speculative poems. I’m really hoping to see some submissions from Asian writers for next year–please add us to your submissions list for 2020!
This past week, I made some changes to this site and some of our social media accounts. There’s a new profile logo, and I’ve changed the site name to Insignia Stories where possible. This is because the new drabble anthology will be the first in its own series, Insignia Drabbles Vol.1, Vol.2, etc. So the main site name will be Insignia Stories, and The Insignia Series will continue to be the series name for the anthologies we’ve done. Hopefully that’s clear!
Here on the site, I re-organized the menus and made a few drop-down listings which should make things easier to find. I’ll be putting up a new ABOUT page and one for the drabble anthology very soon, so that will have all the contributors name on it as well.
I read a quite disturbing (in an awesome way) horror story recently, featuring a Japanese woman as the main character. It was written by Insignia: Southeast Asian Fantasy contributor, Eliza Chan and is published online at Three Crows Magazine.
I highly recommend it!
Have a great weekend everyone, and Happy Thanksgiving to our North American writers and readers 🙂