The first Singaporean story in Insignia: Southeast Asian Fantasy was written by Melvin Yong and explores the myth of the Singapore Stone.
‘The Island’ by Melvin Yong
If I could have foreseen the unspeakable horror that was to come from the old family home, I would have run out of that decrepit building and never returned.
It all started on a suffocating November afternoon in my late uncle’s tiny, cramped study. I spotted the crumpled, yellowed envelope in the back of his desk drawer, containing half a dozen faded black-and-white photographs and a short handwritten note.
I had spent the previous two days packing at the empty house after my uncle’s demise a month ago. It was terribly tedious, but the occasional discovery of a vintage curio enlivened an otherwise dreary experience. By noon, the study had become stiflingly warm, so I grabbed the open envelope and hastily retreated to the more accommodating living room downstairs.
Settling into an old rattan armchair, I took a closer look at the faded photographs. Three of the four pictures were of the same serene beach, taken from different angles. In the background were a kampong or fishing village and an unusually tall coconut tree, approximately twice the height of the other trees. Three wooden huts perched just beyond the shoreline and they appeared uninhabited, with no fishing vessels in sight.
The fourth photo piqued my interest. Almost completely white, the print looked like an overexposed shot at first, but upon closer examination, it was a close-up of a sandy dune, with webbed animal tracks trailing from one bottom corner of the photo to the top. My initial thought was that they might have belonged to a waterfowl or some curious amphibian. I couldn’t identify the creature, nor could I estimate its size.
The backs of the photographs were all date-stamped 1947, but had no other information of any significance to me. I would have dutifully tucked them all back in the crinkled envelope, if I hadn’t seen the accompanying note.
Torn from a notebook, the page was half-covered by handwritten etchings—not just words and phrases, but peculiar symbols in black and red ink. The date at the top right corner read April 1949, which immediately ruled out my late uncle as the author, or his involvement in any way; he had been born just before the Japanese Occupation.
Most of the writing made little sense. There was an address scribbled at the beginning of the page, “Pulau Satumu,” which I later discovered was a small, uninhabited island off the southwest coast of Singapore.
Now, I shall not attempt to reproduce the contents of the note, for nearly half of it was in a foreign language of unknown origin. I assumed it was a local dialect, but upon closer examination, that was not the case. Strange wiggling tentacles of ink and tiny stars and planetary symbols took the place of letters and numbers, creating a surreal wall of incoherent text and images.
The text that I did understand chilled me to my core, even in that oppressive afternoon heat. I could find no other way to interpret the second half of the note: it was a dire warning of threats to come.
Melvin Yong’s Author Page
Insignia: Southeast Asian Fantasy Page
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‘Interlude’ by Eve Shi
‘Running from Shadows’ by Joyce Chng
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‘Spirit of Regret’ by Eliza Chan