Excerpt: ‘Untouchable’ by Sheenah Freitas

Here’s an excerpt from returning contributor, Sheenah Freitas’ Nepalese fantasy piece.

Note: this is a flash story so the excerpt is shorter than others we’ve posted.

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‘Untouchable’ by Sheenah Freitas

Excerpt:

In her earliest memory, she wanted to be a Kumari—they were one of the beautiful girls in Nepal worshipped for being the reincarnation of the great goddess Taleju. She believed she could feel power and wisdom exuding from those young girls. Young and old always clamored around the Kumari hoping for some sort of advice or just to be in the presence of a god. They thought the Kumari buzzed with divine energy.

She always wanted to be closer. She wanted to touch their feet, to be intimate with a god herself. But she was too afraid of what she might actually feel. What if she felt nothing at all? Or what if she did feel something? What would that do to her? Would she denounce her faith as a Buddhist and convert to Hinduism?

Despite everything, she lacked the courage to meet them.

But now, she thinks she will never see one.

She is dying.

Sheenah Freitas’ Author Page

Insignia: Asian Fantasy Stories Page (Insignia Vol.4.)

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AVAILABLE FROM:

| Smashwords | B & N | kobo |

| Amazon US | Amazon UK | Amazon AU | Amazon CA |

| Amazon DEAmazon JPAmazon IN |

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Add on Goodreads

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Excerpt: ‘Birds of Heaven’ by EK Gonzales

‘Birds of Heaven’ is a sweet literary piece by Filipino author, EK Gonzales.

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‘Birds of Heaven’ by EK Gonzales

Maria sent the birds of heaven to every part of the world. At any given minute, someone wanted to give up and disappear. To each one, Maria sent out one of her birds.

Birds of every size and color left the aviary, singing of hope and love. Many returned with joyful melodies of people saved. Others came back with mournful tunes, of those for whom they were too late.

For each person saved, the birds burst into a wonderful orchestra, filling heaven with sweet music. For each person lost, the aviary darkened for a time, a sadness that all of heaven saw and felt.

For each person lost, Maria’s heart was pricked and filled with pain.

~~~

EK Gonzales’ Author Page

Insignia: Asian Fantasy Stories Page (Insignia Vol.4.)

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AVAILABLE FROM:

| Smashwords | B & N | kobo |

| Amazon US | Amazon UK | Amazon AU | Amazon CA |

| Amazon DEAmazon JPAmazon IN |

 ~~~

Add on Goodreads

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Happy Release Day! ‘Insignia: Asian Fantasy Stories’

HAPPY RELEASE DAY!!!!!!!!!

It’s finally here! The Insignia Series’ latest anthology is now available from Amazon and Smashwords. We’ll post links to other book seller sites as soon as they become actively listed. Also, we’ll be sharing excerpts from the various stories throughout the week.

A big thanks to all the contributors!

ASIAN FANTASY STORIES

INSIGNIA Vol.4 includes 9 Asian fantasy stories with a mix of literary, contemporary, myth-based, and historical fantasy pieces. Countries included are Singapore, Vietnam, Malaysia, the Philippines, Japan, China, India, and Nepal.

Rated 16+

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CONTENTS

PART I:  Adventure / Folktales

‘Four Claws’ by Allison Thai

‘I Found Love in an Urn Full of Ashes’ by Joyce Chng

‘Jentayu’s Tear’ by Anna Tan

‘Ribbons & Bones’ by Kelly Matsuura

PART II: Adult / Literary Tales

‘The Fireflies of Todaiji’ by Russell Hemmell

‘Birds of Heaven’ by EK Gonzales

‘Last Train to Begunkodor’ by Nidhi Singh

‘Untouchable’ by Sheenah Freitas

‘White Lady’ by Tina Isaacs

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AVAILABLE FROM:

| Smashwords |

| Amazon US | Amazon UK | Amazon AU | Amazon CA |

| Amazon DEAmazon JPAmazon IN |

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Add on Goodreads

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Cover Reveal & Update – Insignia Vol.4

Hello everyone,

If you’re like me, you’re counting down the days until Christmas Day and/or the start of vacation!

Due to the chaos of work and life around this time of year, I am still working on editing/proofreading for Insignia Vol.4, so will delay releasing the ebook until January sometime. I really need the quiet of a few weeks off work to concentrate on it.

But, I do want to share a little treat with you all, so here is the finished cover and blurb!

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INSIGNIA Vol.4 includes 9 Asian fantasy stories with a mix of literary, contemporary, myth-based, and historical fantasy pieces. Countries included are Singapore, Vietnam, Malaysia, the Philippines, Japan, China, India, and Nepal.

With stories by: Joyce Chng, Sheenah Freitas, Russell Hemmell, Allison Thai, Anna Tan, Tina Issacs, Nidhi Singh, EK Gonzales, and Kelly Matsuura.

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Memorial Weekend 99c Sale!!

Happy Memorial Weekend to our US friends! I’ve just moved back to Japan so am a little sad to be missing the holiday weekend, but I have great memories of trips to Chicago and Lake Michigan in previous years. It’s also pretty nice here in Nagoya. 🙂

I thought it was a good week for a little sale, so how does getting ANY Insignia Series anthology for just 99c sound?

99c SALE – May 27-30

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All three anthologies will be only US0.99c (or he equivalent in foreign currencies) this weekend on both Amazon and Smashwords sites.

Insignia: Japanese Fantasy Stories

Insignia: Chinese Fantasy Stories

Insignia: Southeast Asian Fantasy

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And writers, don’t forget to check out our Submissions Page. We’re currently seeking fantasy stories set in any Asian country, with Asian heroes/heroines. We need a good variety of both nationalities represented and also styles of fantasy. We lay out the stories in two categories: ‘Adventure/Folktales’ and ‘Adult/Literary’. YA stories are very welcome, and we have a special request for stories set in the India/Himalaya region. Deadline is JUNE 30, and more details can be found on the main submissions page.

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HAVE A GREAT WEEKEND, WHEREVER YOU ARE!!!!!

Excerpt: ‘Spirit of Regret’ by Eliza Chan

The final story in Insignia: Southeast Asian Fantasy is a moving Vietnamese piece by UK based author, Eliza Chan.

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‘Spirit of Regret’ by Eliza Chan

I had read the same line thirty times.

No matter how I tried, I could not find meaning in the words. Sighing, I looked up and realised the street lights had been turned on. Not that it made difference, the dim orange illuminated only that within whispering range, the shadow of a rubbish bag left below the lamp-post, or the helmet of a passing motorcyclist shining like a giant sequin in the dusk.

Thanh hadn’t noticed yet. She sat on the wicker chair like it was her sofa at home, her sandals kicked to the ground and her painted toenails wiggling every so often. Was it a good line she had read, or a reflex, I wondered. She looked so relaxed under the patio umbrella. What would she do if I leaned across and touched her? I knew I wouldn’t try. Not with the solid dark wood table between us, the dregs of café sua da between us, the used tissues, discarded knife and scattered crumbs between us. Not with the roar of traffic beside us and the waitress pacing with her jug of ice water, her heels clicking in time to the one noted cry of the cubes. Not with the mother bouncing her baby and the teenagers reading fashion magazines. Not with what she had had done, what we had decided, what had filled the last four hours in the quiet coffee shop despite no words spoken.

“It’s getting late,’ she remarked, folding over the page corner as she lay the comic book down on the table. She had carelessly placed it on a wet coffee ring. It would be ruined now. The brown stain would seep right through the unprotected pages until it had soaked in. Even the front, where those saucer-eyed manga girls smiled through impossible hair, promising easy escapism in moronic romanticism, would be ultimately destroyed.

Vâng,” I agreed, as I had agreed before. Where did these words come from? They were driftwood, carried with the tide against my volition, without my permission.

~~~

Eliza Chan’s Author Page

Insignia: Southeast Asian Fantasy Page

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More Excerpts:

‘Horse Feet’ by Celestine Trinidad

‘The Third Eye’ by Sheenah Freitas

‘Interlude’ by Eve Shi

‘The Island’ by Melvin Yong

‘Running from Shadows’ by Joyce Chng

‘Never Seen’ by Kelly Matsuura

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Excerpt: ‘Never Seen’ by Kelly Matsuura

We have two Vietnamese themed stories in Insignia: Southeast Asian Fantasy. Here’s an excerpt from my fantasy lit piece, ‘Never Seen’.

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Never Seen by Kelly Matsuura

Today is my turn. Cool ocean waves set a rhythm for the Trong Com drummers and temple singers. I walk along the shadowed beach; strips of colored sunset on my left and the cheering smiles of well-wishers on my right. They clap for me, but they also form a wall that stops me running away into the dark jungle.

I am cloaked from head to toe in bright silks, the colors chosen to celebrate my imminent transformation and to represent our hidden kingdom. I am cloaked in these silks, but also in magic. From the day I was born I was one of the nominated maidens, destined to bond with the king and become one of his mages.

The spell that makes us what we are can only be broken by King Amnuay himself. Our pure beauty is veiled; no other man ever sees the glint of the sun on our hematite hair, or feels the soft texture of our skin, likened to that of polished pearls. They don’t see the real color of our eyes; the spell blackens the irises on us all until the night of our awakening. My own eyes are the green of a papaya leaf; bright, sharp and strong. I don’t look away from anyone.

~~~

Kelly Matsuura’s Author Page

Insignia: Southeast Asian Fantasy Page

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More Excerpts:

‘Horse Feet’ by Celestine Trinidad

‘The Third Eye’ by Sheenah Freitas

‘Interlude’ by Eve Shi

‘The Island’ by Melvin Yong

‘Running from Shadows’ by Joyce Chng

‘Spirit of Regret’ by Eliza Chan

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Excerpt: ‘The Island’ by Melvin Yong

The first Singaporean story in Insignia: Southeast Asian Fantasy was written by Melvin Yong and explores the myth of the Singapore Stone.

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‘The Island’ by Melvin Yong

If I could have foreseen the unspeakable horror that was to come from the old family home, I would have run out of that decrepit building and never returned.

It all started on a suffocating November afternoon in my late uncle’s tiny, cramped study. I spotted the crumpled, yellowed envelope in the back of his desk drawer, containing half a dozen faded black-and-white photographs and a short handwritten note.

I had spent the previous two days packing at the empty house after my uncle’s demise a month ago. It was terribly tedious, but the occasional discovery of a vintage curio enlivened an otherwise dreary experience. By noon, the study had become stiflingly warm, so I grabbed the open envelope and hastily retreated to the more accommodating living room downstairs.

Settling into an old rattan armchair, I took a closer look at the faded photographs. Three of the four pictures were of the same serene beach, taken from different angles. In the background were a kampong or fishing village and an unusually tall coconut tree, approximately twice the height of the other trees. Three wooden huts perched just beyond the shoreline and they appeared uninhabited, with no fishing vessels in sight.

The fourth photo piqued my interest. Almost completely white, the print looked like an overexposed shot at first, but upon closer examination, it was a close-up of a sandy dune, with webbed animal tracks trailing from one bottom corner of the photo to the top. My initial thought was that they might have belonged to a waterfowl or some curious amphibian. I couldn’t identify the creature, nor could I estimate its size.

The backs of the photographs were all date-stamped 1947, but had no other information of any significance to me. I would have dutifully tucked them all back in the crinkled envelope, if I hadn’t seen the accompanying note.

Torn from a notebook, the page was half-covered by handwritten etchings—not just words and phrases, but peculiar symbols in black and red ink. The date at the top right corner read April 1949, which immediately ruled out my late uncle as the author, or his involvement in any way; he had been born just before the Japanese Occupation.

Most of the writing made little sense. There was an address scribbled at the beginning of the page, “Pulau Satumu,” which I later discovered was a small, uninhabited island off the southwest coast of Singapore.

Now, I shall not attempt to reproduce the contents of the note, for nearly half of it was in a foreign language of unknown origin. I assumed it was a local dialect, but upon closer examination, that was not the case. Strange wiggling tentacles of ink and tiny stars and planetary symbols took the place of letters and numbers, creating a surreal wall of incoherent text and images.

The text that I did understand chilled me to my core, even in that oppressive afternoon heat. I could find no other way to interpret the second half of the note: it was a dire warning of threats to come.

~~~

Melvin Yong’s Author Page

Insignia: Southeast Asian Fantasy Page

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More Excerpts:

‘Horse Feet’ by Celestine Trinidad

‘The Third Eye’ by Sheenah Freitas

‘Interlude’ by Eve Shi

‘Running from Shadows’ by Joyce Chng

‘Never Seen’ by Kelly Matsuura

‘Spirit of Regret’ by Eliza Chan

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Excerpt: ‘Interlude’ by Eve Shi

Next excerpt is for a story from Indonesian contributor, Eve Shi. It’s a literary-style flash piece, based on an old Indonesian folktale.

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‘Interlude’ by Eve Shi

The largest lake in Sumatra came into being because of me. That isn’t bragging, just plain fact. It was also the major, if dubious, accomplishment in my tediously long life. Thanks to Lake Toba, I was forever known as the hungry son.

You may have already heard the story. A woman broke a sacred law in her kingdom, got cursed, and transformed into a fish. A man released her from that curse. They lived happily together, until I came along. Never let people tell you children are the ultimate gateway to joy. Sometimes the gateway opens in the other direction.

My mother and I have gone our separate ways for almost two centuries. It was not hate or indifference that drove us apart. Like many other creatures unsure if they will ever die, we decided to be imaginative to stave off the boredom.

My method of choice this decade was to travel around the globe, in the fashion of those backpackers who write books or blogs. And, since this week I happened to be back on the archipelago, I decided to look my father up.

Leave that man be, my mother once told me. He’s no longer important to us. Yes, but I was curious. My father, by virtue of having once been my mother’s husband, had received a dose of her immortality. A century ago, he was starting to bend beneath the burden of years; I wanted to see if he now had run out of it.

 ~~~

Eve Shi’s Author Page

Insignia: Southeast Asian Fantasy Page

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More Excerpts:

‘Horse Feet’ by Celestine Trinidad

‘The Third Eye’ by Sheenah Freitas

‘The Island’ by Melvin Yong

‘Running from Shadows’ by Joyce Chng

‘Never Seen’ by Kelly Matsuura

‘Spirit of Regret’ by Eliza Chan

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Excerpt: ‘The Third Eye’ by Sheenah Freitas

Here’s an excerpt from the second Filipino story in Insignia Vol.3., written by Sheenah Freitas. It is a short piece, based on local folklore and magic.

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‘The Third Eye’ by Sheenah Freitas

Some say the only way out of the provinces is to marry someone rich. When a class graduates, it’s almost as if a great migration happens, as hundreds of hopeful women pack up and head to the city. Many will come back. Some will stay because they found success, or simply because they’re too ashamed to come back.

My sister was one of those girls. The night before she was to leave for Manila with a group of girls from neighboring villages, she told me how our superstitions would be the end of us. How if we kept believing in imaginary creatures, we’d always be seen as stupid. Ignorant. Impossible.

She spat on our beliefs, cursed our way of living, and then pointed to a tree where a family of duwende lived. Our family apologized to them on her behalf and offered them food, but my sister rolled her eyes at us. I guess she was too sophisticated for such things. She had too many dream and aspirations.

But all of that ambition was wasted.

She’s dead.

Her body was found beside the duwende tree in the morning.

~~~

Sheenah Freitas’ Author Page

Insignia: Southeast Asian Fantasy Page

 

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More Excerpts:

‘Horse Feet’ by Celestine Trinidad

‘Interlude’ by Eve Shi

‘The Island’ by Melvin Yong

‘Running from Shadows’ by Joyce Chng

‘Never Seen’ by Kelly Matsuura

‘Spirit of Regret’ by Eliza Chan